admin
Thu, 03/28/2024 - 19:09
Edited Text
Polyrhythm/Polycentrism
Juxtaposition
Improvisation
Ephebism
Embrace the conflict
Aesthetic of the cool
▪As a result of my research, I would like to see dance programs consider Jazz dance
as an equal in foundational training while making more authentic choices of this
aesthetic.
Origin: West African and Anglo
culture
Jazz dance developed alongside
the progression of Jazz music,
responding to each other’s
characteristics and inspiring each
other’s development.
Middle Passage
Vaudeville era
1830s
1518- mid 19th century
Minstrel shows
1920s-1940s
1870s
Jazz dance began to change
Technical ballet training became
integrated
Loss of improvisation
Verticality
Quantity vs Quality
Polyrhythm/Polycentrism
Juxtaposition
Improvisation
Ephebism
Embrace the conflict
Aesthetic of the cool
Juxtaposition
Improvisation
Ephebism
Embrace the conflict
Aesthetic of the cool
▪As a result of my research, I would like to see dance programs consider Jazz dance
as an equal in foundational training while making more authentic choices of this
aesthetic.
Origin: West African and Anglo
culture
Jazz dance developed alongside
the progression of Jazz music,
responding to each other’s
characteristics and inspiring each
other’s development.
Middle Passage
Vaudeville era
1830s
1518- mid 19th century
Minstrel shows
1920s-1940s
1870s
Jazz dance began to change
Technical ballet training became
integrated
Loss of improvisation
Verticality
Quantity vs Quality
Polyrhythm/Polycentrism
Juxtaposition
Improvisation
Ephebism
Embrace the conflict
Aesthetic of the cool