ART-BASED BULLYING PREVENTION PROGRAM ART-BASED BULLYING PREVENTION PROGRAM Charity D. Stanton COUN-7550-400: Introduction to Art Therapy Research Professor: Penelope Orr December 8, 2024 Abstract 1 ART-BASED BULLYING PREVENTION PROGRAM 2 Art therapy interventions may help adolescent students affected by bullying. This project developed a program utilizing therapeutic art interventions to support both victims and perpetrators of bullying. Given the prevalence of bullying, both in physical and online forms, innovative interventions are needed beyond traditional talk therapy. The developed program seeks to enhance communication skills, foster mutual understanding, and facilitate healing among students affected by bullying. Through a comprehensive literature review, this study integrated insights from existing bullying prevention programs with the therapeutic benefits of art therapy, aiming to create a curriculum that promotes resilience and cultivates a supportive school environment. Section I: Introduction Introduction Art based practices can be a powerful tool used to address the emotional and psychological impact of those affected by bullying (Coholic, 2011). Whether it is experienced as a victim or perpetrator, bullying leaves emotional and psychological scars that can result in long term difficulties (Sosin & Rockinson-Szapkiw, 2016). Victims of bullying struggle with feelings of loneliness, anxiety, and low self-esteem, while those who bully face underlying issues such as anger, sadness, and insecurity (Coholic, 2011). Historically, bullying has been addressed through talk therapy to help individuals process their experiences of being bullied. However, this approach may fall short in its ability to address the complex nature of bullying and the diversity of student needs and development. (Coholic, 2011). ART-BASED BULLYING PREVENTION PROGRAM 3 Art Therapy as an Intervention Art therapy provides a unique approach to healing that moves beyond verbal communication. By combining the benefits of artmaking with talk therapy, art therapy expands access to communication and processing for individuals that have different neutral needs. For example, difficult or traumatic experiences can be difficult to put words to, particularly for younger audiences that have underdeveloped social abilities (Coholic, 2011). This is due to their stage of development that limits their ability to articulate complex emotions and experiences. Engaging in art therapy interventions can potentially instill both victims and perpetrators with essential communication skills that help them navigate and process intense emotions. This research aims to create a curriculum designed to support both groups, fostering empathy, emotional regulation, and mutual understanding. Problem to be Investigated. Bullying poses a significant issue for adolescent students in the United States including both face-to-face interactions and online cyberbullying. According to the National Center for Education Statistics (2023), approximately 22% of students in grades 6-8 have experienced being bullied at school. Additionally, 15% report cyberbullying through text message, and online social media platforms (National Center for Education Statistics, 2023). Bullying is known to negatively impact the physical, emotional, and psychological state of an individual, which can manifest into long-term mental health challenges such as anxiety and depression (Caliskan et al., 2019) Art therapy offers a valuable approach for addressing the impacts of bullying by utilizing art-based interventions to help individuals process and express their experiences, emotions, and ART-BASED BULLYING PREVENTION PROGRAM 4 trauma. (Coholic, 2011) This approach uses creative expression to help individuals manage the emotional effects of bullying that can potentially help facilitate emotional healing and resilience. Purpose Statement The purpose of this project is to develop a program utilizing therapeutic art interventions aimed at fostering healing, community, and resilience among diverse adolescent victims and perpetrators of bullying. Justification Bullying compromises the sense of safety in school settings, leading to increased instances of self-harm and harm to others, creating an unsafe environment in schools (National Center for Education Statistics, 2023) The intention of this project is to develop a curriculum designed to address the needs of both bully victims and perpetrators through psychoeducation and creative approaches that promote healing, enhance student well-being, and foster an overall safe and supportive school environment. Terms Related to the Study Bullying Bullying is defined as "repetitive, aggressive behavior that involves a power imbalance" (Monopoli, Evans, & Himawan, 2022, p. 2). It involves unwanted actions that are either repeated ART-BASED BULLYING PREVENTION PROGRAM 5 or have the potential to be repeated, creating a pattern of behavior that targets an individual or group. Art therapy Art therapy is a mental health profession that enriches personal wellbeing using artmaking, creative processing, and psychological theory. (American Art Therapy Association, n.d.) Bully victim. A bully victim is a student that has experienced unwanted aggressive behavior from one or multiple peers. (Monopoli, Evans, & Himawan, 2022, p.2). Bully perpetrator. A bully perpetrator is a student that has inflicted unwanted aggressive behavior on one or multiple students (Caliskan et al., 2019). Conclusion As bullying remains a significant challenge for schools, there is a need for more developmentally appropriate resources that offer long-term benefits tailored to individual students' needs. This program aims to develop a curriculum that integrates research on current bully prevention strategies and suggests necessary adaptations to enhance their effectiveness. It will focus on building resilience and enhancing emotional expression through sequential art interventions. By combining art therapy with proven strategies from existing bullying prevention programs, the curriculum seeks to foster a more inclusive and supportive school environment. The literature review will evaluate current bullying prevention programs to identify effective ART-BASED BULLYING PREVENTION PROGRAM practices, assess their strengths and weaknesses, and explore how art therapy can help in reducing the emotional impacts of bullying. Section II: Review of Literature Introduction This section reviews the literature used to establish the core principles, steps, and interventions for the bullying program. An analysis of previous and current bullying programs will be conducted to identify effective approaches, theories, and techniques, which will inform the development of best practices for the art therapy-based bullying program. Review of Related Literature This section reviews existing research to provide a foundation for the art therapy-based bullying program. It examines the impact of bullying on students and the importance of developmental considerations in addressing these issues. Developmental Needs in Middle School Students The Importance of Tailored Support 6 ART-BASED BULLYING PREVENTION PROGRAM 7 Bullying is a significant issue in schools that negatively impacts students' personal well-being and the overall school environment (Coholic, 2011). Students need support that is specifically tailored to their stage of development. (Coholic, 2011) In the United States, middle school students range between 11-13 years of age. During this stage of development, children enter early adolescence, undergoing numerous physical, emotional, social, and cognitive changes. This includes puberty, identity formation, and development of peer relationships. Students could benefit from opportunities that offer identity exploration, self-esteem enhancement, and socialemotional learning. (Yeager, 2017) Self -Esteem Challenges Self-esteem is an individual’s overall perception and outlook of themselves, significantly influencing the way they see their value and self-worth. Research by Robins et al. (2002) suggests that self-esteem tends to experience the most significant decline during a child's transition into middle school, highlighting a critical period for self-development and social adjustment. Self-esteem can manifest in one's demeanor and behavior, affecting interactions and relationships with others. (Robins et al., 2002) Therefore, it is important that students are supported and given tools that can help foster positive self-perception and healthy interactions with peers. Social-Emotional Learning Additionally, transitioning into middle school calls for students to adapt to larger educational environments, increased independence, and more social interactions. During this stage of development, students are developing their identity and forming new relationships which can be difficult to handle without external support. (Yeager, 2017) Students need guidance to help them ART-BASED BULLYING PREVENTION PROGRAM 8 work through challenging situations and intense emotions that may arise. This can be achieved through exposure to social-emotional learning. Research by Yeager (2017) emphasizes the importance of social and emotional learning in supporting adolescents during this critical period. Identity Formation and Development As students embark on their journey of identity development, encouraging exploration is crucial to fostering a stronger sense of self. Theoretically, identity formation has been connected to wellbeing (Kłym & Cieciuch, 2015), which suggests that a developed sense of identity can positively impact an individual's overall health. A study conducted by Kłym & Cieciuch explores various domains of identity in adolescent children, highlighting the significance of early identity exploration. This early exploration can enhance self-awareness and personal growth, leading to a more achieved identity throughout the lifespan. (Kłym & Cieciuch, 2015) Current Talk Therapy-Based Bullying Prevention Programs Program Objectives and Effectiveness Various strategies have been implemented to address bullying among middle school students. Current programs include the KiVa Antibullying Program and the Olweus Bullying Prevention Program. The goal of these programs is to reduce the impact of bullying and create a safer, more inclusive environment for all students (Office of Juvenile Justice and Delinquency Prevention [OJJDP], 2024). According to the OJJDP, the evidence ratings for these programs rank as "promising." in the effectiveness of their program (OJJDP, 2024). While these programs have shown some success in reducing anxiety and aggression in school environments, they also come with their own set of pros and cons. ART-BASED BULLYING PREVENTION PROGRAM 9 Benefits of Talk Therapy Bullying Prevention Programs Implementing bullying prevention programs in schools helps educate and raise awareness of the issues surrounding bullying and its impact (Garandeau, Laninga-Wijnen, & Salmivalli, 2022). This can create an environment in which students are more inclined to openly report bullying incidents, which in turn can lead to quicker intervention and support for those affected. These programs aim to expose students to the significance of positive interactions by promoting social emotional skills, empathy, and aggression prevention (Temko, 2019). As a result, teachers reported an improvement in student interaction and behavior. Additionally, self-reported bullying decreased following participation in these programs. (OJJDP, 2024). Challenges of Talk Therapy Bullying Prevention Programs Despite the good intentions behind bullying prevention programs, their effectiveness has often been questioned. Historically, bullying programs tend to fall short in delivering long-term benefits or results that can be statistically supported. (Temko, 2019). For example, the KiVa Antibullying Program proves to enhance students’ emotional empathy towards each other, but did not affect their cognitive empathy (Garandeau, Laninga-Wijnen, & Salmivalli, 2022). In other words, this program can increase emotional connection between students but does not improve their intellectual understanding of why someone may be feeling or reacting in a particular way. Similarly, the Olweus Bullying Prevention Program has shown limitations in its ability to produce consistent, long-term improvements. Research by Temko (2019) suggests that the program is structured to address "individualistic models of bullying" (p. 9). Implying that without adaptations, broader and more diverse populations are less likely to see improvement. ART-BASED BULLYING PREVENTION PROGRAM 10 Overall, while prevention programs like KiVa and the Olweus Program aspire to reduce bullying by fostering a more empathetic and inclusive environment, past shortcomings of these programs impact their ability to achieve sustainable and measurable outcomes. Adaptive approaches must be integrated to effectively address the complexities of bullying behavior across diverse student populations and environments. Integration of Creative Approaches in Bullying Prevention Programs Overview of Research on Art-Based Approaches Research has been conducted to explore the impact that creative exposure and art-based approaches have on the effects of bullying. Sosin and Rockinson-Szapkiw (2016) study the effectiveness of the Creative Exposure Intervention as it relates to adolescents exposed to bullying. They explore the link between early trauma resulting from bullying and the increased risk of developing PTSD in adulthood (Sosin and Rockinson-Szapkiw ,2016). In this study, they worked with a group of adolescents using exposure therapy that combined art therapy techniques with cognitive behavioral therapy and mindfulness practices. Additionally, Coholic (2011) conducted further research on integrating art-based practices with mindfulness and CBT techniques. Catholic's study involved a group program for adolescents designed to improve selfawareness and resilience (Coholic, 2011). Effectiveness of Integrative Methods The following research indicates that integrating creative methods to teach adolescents mindfulness skills effectively complements other therapeutic practices, aligning well with their ART-BASED BULLYING PREVENTION PROGRAM 11 developmental stage and capabilities (Coholic, 2011). Based on the outcomes of their studies, both programs successfully achieved their objectives, including self-reported or parent-reported improvements in confidence, mindfulness, and emotional expression, along with reductions in anxiety and symptoms related to bullying-induced PTSD (Sosin and Rockinson-Szapkiw ,2016). Conclusion The KiVa and Olweus bullying prevention programs have been evaluated for their effectiveness in reducing bullying and enhancing the overall positive and inclusive climate within schools. These programs utilize whole-school approaches to engage students in educational practices intended to address and prevent bullying behaviors. Creative approaches to addressing bullying were also examined, including studies that combined art-based practices with cognitive behavior therapy (CBT) and mindfulness theoretical approaches. Considering each program and therapeutic approach currently used to address bullying, it is important to note that bullying programs historically do not produce long-term results (Temko, 2019). As I develop a curriculum for a new bullying program, I will evaluate which aspects were most effective and which were least impactful in addressing the needs of both victims and perpetrators of bullying. In developing a 5-step bullying prevention program, our approach will involve assessing existing bullying prevention programs and evaluating art-based interventions aimed at wellness and bullying prevention. While each approach shows some promising aspects of minimizing bullying incidents and creating safer school environments, they often lack long-term efficiency and measurable outcomes (Temko, 2019). Therefore, our program will use evidence-based ART-BASED BULLYING PREVENTION PROGRAM 12 components from each established model to create a new program that provides effective solutions for victims and perpetrators of bullying. An important aspect of the prevention models that stood out was group size. Both the KiVa and Olweus bullying prevention programs utilized school-wide interventions to engage an entire school body in addressing bullying behaviors. In contrast, research on art-based interventions focused on smaller groups of students. The results indicated that working with smaller groups was more effective in providing individualized attention and achieving significant change among participants (Coholic, 2011). Based on this, our curriculum will incorporate smaller group settings to maximize the effectiveness of our bullying prevention strategies and ensure more meaningful impacts. Our program will also include practices of mindfulness, CBT, and creative interventions. Participants in art-based interventions reported an enhanced sense of self, increased awareness, and reduced anxiety (Sosin & Rockinson-Szapkiw, 2016). These elements will benefit our program as we aim to promote and enhance student well-being. The KiVa and Olweus bullying prevention programs showed promising results with their students responding positively to their universal actions (OJJDP, 2024). Engaging in lessons and activities that teach social-emotional skills resulted in improved student interactions and behavior, along with reduced anxiety and aggression. Therefore, our program intends to incorporate similar practices of teaching social-emotional skills, empathy, and aggression prevention to promote positive student interactions and conflict-resolution skills. ART-BASED BULLYING PREVENTION PROGRAM 13 Section III: Methodology Introduction In this section the methodology of developing a bullying program curriculum will be introduced. It will describe in detail the population that is meant to benefit from the program and how it will be implemented into school systems. This section will provide an outline for the structure of the ART-BASED BULLYING PREVENTION PROGRAM 14 program, offering a step-by-step plan of how this will be executed to address the topic of bullying while promoting healing and resilience in student victims and perpetrators. Target Audience The curriculum is designed to benefit student victims and perpetrators of bullying. However, this program can be adapted to different populations that are impacted by experiences with bullying. Curricular Structure The bullying program will follow a 5-step course designed to effectively address the topic of bullying while promoting healing and resilience in student victims and perpetrators. This model will walk student participants through the exploration of their experiences and emotions, helping them understand the dynamics of bullying, develop empathy, build coping skills, and foster positive relationships. By engaging in therapeutic art activities and guided discussions, students will gain insights into their behavior and learn healthy ways to express themselves. Curricular Outline Step 1: (Introduction to Bullying) - Objectives - Art intervention - Discussion ART-BASED BULLYING PREVENTION PROGRAM - Materials needed. - Objectives - Art intervention Step 2: (Bullying and External Influences) - Discussion - Materials needed. Step 3: (Addressing Bullying Behavior) - Objectives - Art intervention - Discussion - Materials needed. - Objectives - Art intervention Step 4: (Positive coping strategies) - Discussion - Materials needed. - Objectives - Art intervention Step 5: (Resources) - Discussion 15 ART-BASED BULLYING PREVENTION PROGRAM - 16 Materials needed. Exit project: Group video project/ Panel. Conclusion This section breaks down the format of the Bullying program curriculum which is divided into 5steps and an exit project. The following steps are used to facilitate student learning, healing, and growth to address and overcome bullying behaviors. Each step comprises “My experience” portions followed art interventions, discussions, and practical application exercises. As the program concludes, Students will participate in an exit project where they will work on a cohesive group project that will showcase their learning and understanding of the program’s skills and concepts. The next section will provide further insight into the process of performing each step. Section V: Discussion Introduction This section will present a detailed discussion assessing the bullying program as a whole. It will provide a summary of the research to explain what the program is about, its goals, and what it aims to achieve. I will share my thoughts on what the findings mean and how effective the ART-BASED BULLYING PREVENTION PROGRAM 17 program is. Thoughts on program's weaknesses will be discussed along with areas that need improvement. Lastly, suggested ideas for future research will be explored to enhance the effectiveness of the program. Summary The five step bullying program is an approach that combines psychoeducation with therapeutic art activities to help individuals understand, process, and develop an awareness of bullying and bullying behaviors. It is designed to address bullying by exploring different roles in bullying situations, the varying emotions and impact that stem from this behavior and helping individuals practice self-expression as a way of processing their personal experiences. The phases used in this program were developed after thorough research on existing bullying programs, incorporating their successful strategies to create phases that can result in a more effective bullying program. The included steps aim to promote empathy, emotional awareness, and healthier interpersonal relationships. Students will be exposed to emotional regulation strategies, while also developing an understanding of others’ emotions, fostering a sense of community. Significance Implementing the bullying program into schools promotes a more inclusive and supportive school culture. The program helps students better understand their experiences, develop empathy, build resilience, and learn healthy ways to interact with others, even in challenging ART-BASED BULLYING PREVENTION PROGRAM 18 situations. These skills empower students to navigate social situations more effectively and assess the ways that bullying manifests in their lives. Overall, this program encourages students to explore who they are and focus on solving problems in positive ways. It gives them tools to build better relationships and get along with others. By doing this, the program helps create an environment where students work together more easily, increasing understanding and awareness while reducing conflict and bullying. Limitations While the intention of this program is to foster healing through community, self-expression, and resilience, it is important to acknowledge its limitations. One challenge is combining students who have experienced different roles in bullying into a single program. For instance, addressing bullying to a crowd of both victims and perpetrators of bullying could trigger difficult emotions, cause harm, or cause students to feel unsafe. This may result in the program being less effective and potentially counterproductive. To address this, it may be more effective to split the program into separate groups to address populations more directly based on their perspective/experiences and provide a safer environment for everyone involved. Another limitation is ensuring the program’s long-term impact. The intention is to address bullying and its effects long term; however, its longevity may depend on ongoing support and reinforcement that goes beyond what the program offers. To address this, schools might need to ART-BASED BULLYING PREVENTION PROGRAM 19 follow up with additional programs or resources to make sure the lessons and skills continue to benefit students. Suggestions The goal of this program is to foster healing through community, self-expression, creativity, and resilience. To address its limitations the following recommendations are meant to enhance its effectiveness. One way to improve the program is to create separate groups for students based on their roles in bullying, such as victims, perpetrators, and bystanders. This can help students feel safer and allow the program to better meet their specific needs and experiences. Creating a more focused curriculum for each group can reduce the possibility of triggering students or causing discomfort, which in turn can make the sessions more effective for everyone involved. Another suggestion is to incorporate ways for the program to have a long-term impact by working with schools to add ongoing support. Follow-up sessions could be added to check on progress and make sure the skills and resources are still being used and available to students. It may also be beneficial to ask for feedback from students, parents, and teachers whose child/student participated in the program. This can help identify areas for improvement that can make the program stronger over time. Conclusion This bullying program approaches bullying by encouraging self-expression, building community, and strengthening resilience. Although it works well in many ways, making a few improvements ART-BASED BULLYING PREVENTION PROGRAM 20 can make it more efficient. Creating safer, more focused spaces and adding ongoing support can help the program meet students’ needs and create lasting positive changes. Summary This paper introduces a 5-step bullying program that uses therapeutic art activities to address the complexity of bullying among adolescent students between the ages of (10-15). The paper uses statistics to emphasize the negative impact that bullying has on students, and how it can affect psychological well-being and cause possible future mental health challenges. The program aims to foster healing and resilience in both victims and perpetrators of bullying. Explained are the reasoning and benefits of using art therapy into a curriculum, along with a thorough outline that shares the goals, meaning, and suggestions for each step in the program. The paper highlights the importance of considering challenges and limitations that may arise that may impact the effectiveness of the bullying program. Overall, the paper emphasizes the significance of addressing bullying through creative and holistic approaches, while also recognizing the importance of ongoing research and adaptation to ensure the program's success. References Amorino, J. (2016). The authentic artistic process: Implications to deter aggression, bullying, and violence in adolescents. Art Education, 69(1), 16–24. https://doi.org/10.1080/00043125.2016.1106849 Caliskan, Z., Evgin, D., Bayat, M., Caner, N., Kaplan, B., Ozturk, A., & Keklik, D. (2019). Peer bullying in the preadolescent stage: Frequency and types of bullying and the affecting factors. The Journal of Pediatric Research, 6(3), 169–179. https://doi.org/10.4274/jpr.galenos.2018.26576 ART-BASED BULLYING PREVENTION PROGRAM 21 Coholic, D. (2011). Exploring the feasibility and benefits of arts-based mindfulnessbased practices with young people in need: Aiming to improve aspects of self-awareness and resilience. Child & Youth Care Forum, 40(4), 303–317. https://doi.org/10.1007/s10566-010-9139-x Du, H., King, R. B., & Chi, P. (2017). Self-esteem and subjective well-being revisited: The roles of personal, relational, and collective self-esteem. PLoS One, 12(8), e0183958. https://doi.org/10.1371/journal.pone.0183958 Garandeau, C. F., Laninga-Wijnen, L., & Salmivalli, C. (2022). Effects of the KiVa AntiBullying Program on affective and cognitive empathy in children and adolescents. Journal of Clinical Child and Adolescent Psychology, 51(4), 515–529. https://doi.org/10.1080/15374416.2020.1846541 Goldstein, M. (2012). Social implications of bullying: Creative arts therapies and social justice. The Arts in Psychotherapy, 39(3), 206–208. https://klnpapennwest.primo.exlibrisgroup.com/permalink/01SSHELCO_CUP/1463g96/cdi_pascalfra ncis_primary_26141400 Monopoli, W. J., Evans, S. W., & Himawan, L. K. (2022). Risk and protective factors for patterns of bullying involvement in middle school students. Journal of School Violence, 21(2), 175–189. https://doi.org/10.1080/15388220.2022.2036171 National Center for Education Statistics. (n.d.). Indicator A-10. Retrieved from https://nces.ed.gov/programs/coe/indicator/a10 Office of Juvenile Justice and Delinquency Prevention. (n.d.). Model Programs Guide. Retrieved from https://ojjdp.ojp.gov/model-programs-guide/all-mpgprograms?topicid=274 Palladino, B. E., Nocentini, A., & Menesini, E. (2019). How to stop victims’ suffering? Indirect effects of an anti-bullying program on internalizing symptoms. International Journal of Environmental Research and Public Health, 16(14), 2631. https://doi.org/10.3390/ijerph16142631 Robins, R. W., Trzesniewski, K. H., Tracy, J. L., Gosling, S. D., & Potter, J. (2002). Global self-esteem across the life span. Psychology and Aging, 17(3), 423–434. https://doi.org/10.1037/0882-7974.17.3.423 ART-BASED BULLYING PREVENTION PROGRAM 22 Sosin, L. S., & Rockinson-Szapkiw, A. J. (2016). Creative exposure intervention as part of clinical treatment for adolescents exposed to bullying and experiencing posttraumatic stress disorder symptoms. Journal of Creativity in Mental Health, 11(3–4), 391–408. https://doi.org/10.1080/15401383.2016.1251370 StopBullying.gov. (n.d.). What is Bullying. Retrieved from https://www.stopbullying.gov/bullying/what-is-bullying Temko, E. (2019). Missing Structure: A Critical Content Analysis of the Olweus Bullying Prevention Program. Children & Society, 33(1), 1–12. https://doi.org/10.1111/chso.12280 Yan, H., Chen, J., & Huang, J. (2019). School bullying among left-behind children: The efficacy of art therapy on reducing bullying victimization. Frontiers in Psychiatry, 10, 40–40. https://doi.org/10.3389/fpsyt.2019.00040